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mythology

Stone Blind by Natalie Haynes

“Haynes is a master of her trade... She succeeds in breathing warm life into some of our oldest stories”
- DAILY TELEGRAPH


STONE BLIND
Medusa’s Story
By Natalie Haynes
15th September 2022/ Mantle/ Hardback/ £18.99

Natalie Haynes, the Women’s Prize-shortlisted author of A THOUSAND SHIPS, brings the infamous Medusa to life as you have never seen her before . .

So to mortal men, we are monsters.
Because of our teeth, our flight, our strength.
They fear us, so they call us monsters.

Medusa is the only mortal in a family of gods. Growing up with her sisters, she quickly realizes that she is the only one who gets older, experiences change, feels weakness. Her mortal lifespan gives her an urgency that her family will never know.

When desire pushes a God to commit the unforgivable, Medusa’s mortal life is changed forever. Her punishment is to be turned into a Gorgon: sharp teeth, snakes for hair, and a gaze that will turn any living creature to stone. Appalled by her own reflection, Medusa can no longer look upon anything she loves without destroying it. She condemns herself to a life of solitude in the shadows to limit her murderous range.

That is, until Perseus embarks upon a fateful quest to fetch the head of a Gorgon . . .

This is the story of how a young woman became a monster. And how she was never really a monster at all.


ABOUT Natalie Haynes

NATALIE HAYNES is a writer and broadcaster. She is the author of novels THE AMBER FURY, shortlisted for the McIlvanney Prize; THE CHILDREN OF JOCASTA, a feminist retelling of the Oedipus and Antigone stories and A THOUSAND SHIPS, a retelling of the Trojan War from an all-female perspective; and non-fiction books THE ANCIENT GUIDE TO MODERN LIFE and, most recently, PANDORA’S JAR about the women in Greek myths. She has written and presented seven series of the BBC Radio 4 show, NATALIES HAYNES STANDS UP FOR THE CLASSICS. In 2015, she was awarded the Classical Association Prize for her work in bringing Classics to a wider audience. STONE BLIND is her fourth novel.

www.nataliehaynes.com

Natalie Haynes is available for events and interview.


Praise for Haynes’ last novel A THOUSAND SHIPS

“Absorbing and fiercely feminist” – GUARDIAN

“Elegant and intelligent… Haynes combines a wide ranging knowledge of the original myths with a gift for compelling narrative.” – SUNDAY TIMES

“Clever and entertaining” – THE TIMES

“If you are new to myths, then this is a learned, well-fashioned introduction, with many shining moment of subtle power.” – THE SPECTATOR

“Haynes expertly crafts an emotional and vivid historical tale with high stakes and female empowerment at its core.” – WOMAN’S OWN

“This quietly compulsive and revisionist novel extracts these women from the shadows. “Their story will be told”, declares Calliope, the muse of epic poetry, and Natalie Haynes is the right author to do it.” – DAILY MAIL

“Natalie Haynes is swiftly becoming this generation’s Mary Renault; her retelling of the Trojan war from an all-female perspective, A Thousand Ships, is her best yet” – THE OBSERVER

"With her trademark passion, wit, and fierce feminism, Haynes gives much-needed voice to the silenced women of the Trojan War. Her thoughtful portraits will linger with you long after the book is finished." – MADELINE MILLER, AUTHOR OF CIRCE

“The forgotten women are vividly brought to life in this moving, intelligent and witty book. Natalie Haynes’ knowledge of Greek mythology shines through her skilful story telling. Epic is the word” – MARTHA KEARNEY

“Here they all are — the women of antiquity of whom we know much but have heard so little. Not any more… A Thousand Ships gives voice to women and what voices, what women! Haynes takes the baton from Renault and runs with it. Her modern take on antiquity is exquisitely informed without ever being research-heavy. She brings these women and their triumphs and tragedies to life. Glorious!” – DAMIAN BARR

‘Turns the Trojan War into a gripping, feminist masterpiece” - DEBORAH FRANCES-WHITE, THE GUILTY FEMINIST PODCAST


Pandora’s Jar by Natalie Haynes

In traditional retellings of the Greek myths, the focus is invariably on gods and men, but in Pandora’s Jar: Women in the Greek Myths, Natalie Haynes refocuses our gaze on the remarkable women at the centre of these ancient stories.

‘Beyoncé, Star Trek, Ray Harryhausen ... the most enjoyable book about Greek myths you will ever read, absolutely brimming with subversive enthusiasm.’  Mark Haddon

‘Natalie Haynes is beyond brilliant. Pandora’s Jar is a treasure box of classical delights. Never has ancient misogyny been presented with so much wit and style.’ Amanda Foreman

‘Witty, erudite and subversive, this takes the women of Greek myth—the women who are sidelined, vilified, misunderstood or ignored—and puts them centre stage.’ Samantha Ellis

‘Reading Pandora’s Jar: Women in the Greek Myths by Natalie Haynes: Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of... but read on!’ Margaret Atwood, on Twitter


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Pandora’s Jar
Women in the Greek Myths
By Natalie Haynes
Picador / hardback / 1st October 2020 / £20

Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from Jason and the Argonauts to the wars of Troy. Today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men and have rarely shown interest in telling women’s stories. And when they do, those women are often painted as monstrous, vengeful or just plain evil. But Pandora – the first woman, who according to legend unloosed chaos upon the world – was not a villain to the Greeks, Helen didn’t always start a war, and even Medea and Phaedra have vastly more nuanced stories than generations of retellings might indicate. 

Now, in Pandora’s Jar, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Pandora and her jar (the box was a mistranslation by Erasmus) as the starting point, she puts the women of the Greek myths on equal footing with the menfolk. After millennia of stories telling of gods and men, be they Zeus, Odysseus or Oedipus, the voices that sing from these pages are those of Clytemnestra, Jocasta, Eurydice and Penelope.

'Natalie Haynes is the nation's great muse' Adam Rutherford


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ABOUT NATALIE HAYNES

Natalie Haynes is the author of five books. A Thousand Ships, was shortlisted for the Women’s Prize for Fiction 2020. Her earlier books include: The Children of Jocasta (2017), The Amber Fury (2014), and The Ancient Guide to Modern Life (2010). She has written and recorded six series of Natalie Haynes Stands Up for the Classics for BBC Radio 4. Natalie has written for The Times, The Independent, The Guardian and The Observer. 

@officialnhaynes / https://nataliehaynes.com/ 
https://www.facebook.com/watch/nataliehaynesstandupclassicist/1649832641846815/


SELECTED PRAISE FOR A Thousand Ships

‘With her trademark passion, wit, and fierce feminism, Natalie Haynes gives much-needed voice to the silenced women of the Trojan War. Her thoughtful portraits will linger with you long after the book is finished’ - Madeline Miller, author of Circe 

'A gripping feminist masterpiece' Deborah Frances-White ‘The forgotten women are vividly brought to life in this moving, intelligent and witty book.’ - Martha Kearney, BBC Radio 4 

‘Here, in this treat of a book, the women take centre stage - and how brilliantly . . . Natalie Haynes brings them to witty, lyrical, scintillating life . . . A book to both savour and devour.’ - Suzannah Lipscomb 

‘Breathtaking . . . Her writing isn’t merely clever, or elegant, or (at times) extremely funny - though it is all of those things. It’s also viscerally vivid.’ - Catherine Nixey 

‘Haynes is master of her trade, crafting perfect sentences and believable characters who speak and think in delicately nuanced language. [She] succeeds in breathing warm life into some of our oldest stories to show how remarkably little basic human relationships and emotions have changed’ - Daily Telegraph  

’Absorbing and fiercely feminist.’ - Guardian