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I Was There: Dispatches from a Life in Rock and Roll By Alan Edwards

Alan Edwards is the godfather of modern music PR, whose stellar list of clients has ranged over the years from David Bowie to Amy Winehouse via the Rolling Stones, Blondie, Prince and the Spice Girls and, outside of music, David Beckham and Naomi Campbell – now he tells his story.

Alan wasn’t just there, he was everywhere, as immersed in the world of rock as any of the bold-face names he represented. From glam to punk, from Bowie to Jagger, from small clubs and sweaty pubs to stadiums and enormodomes, Alan saw it all… and wrote it all down. A brilliant book by a brilliant man.
— Dylan Jones
A beautiful, warm, jaw-dropping, once-in-a-lifetime, lifting-the-stone guide to a secret world . . . Edwards is an endlessly charming and gently amused companion as he reveals the truth about that lost time when the music was an embarrassment of riches. I loved it. And if the music ever mattered a damn to you, then you will love it too
— Tony Parsons

I Was There:

Dispatches from a Life in Rock and Roll

By Alan Edwards

Simon & Schuster / HB / 6 June 2024 / £25

I Was There traces Edwards’ career from the thriving punk scene of ’70s London, which inspired him to set up his own PR company, through his work with acts such as Blondie and the Rolling Stones, his collaboration with David Bowie over nearly four decades, his move into the pop world with the Spice Girls, and beyond.

Along the way, we’re treated to all the entertaining tales of debauchery and rock-star antics you might expect, but more uniquely we’re privy to Edwards’ fascinating observations about the brilliant artists he has worked with, and what makes them tick. We also get a front-row seat to the rise of PR as a major force in British society, from the seven-figure media deal Edwards brokered for the Beckhams’ wedding, to the role of spin in the New Labour government.

Even as Edwards grows into the consummate PR, playing a crucial background role in the lives and careers of some of the world’s biggest stars, he retains a powerful sense of being an outsider – never forgetting how lucky he is to look back on decades of music and culture and say, ‘I was there’.


Feature ideas and talking points:

  • The hippy trail - escaping from the suburbs and travelling the hippy trail age 16 years with no contacts, no mobile phone and barely any money and ending up with typhoid, dysentery and weighing under 7 stone

  • Entertainment PR in the beginning - a cottage industry that used Hollywood publicists as a blueprint

  • The British media then, now and the future

  • On the road with celebrities – being mentored by Mick Jagger; touring the Sistine Chapel with David Bowie; playing football with Beckham; dealing with the Mob in the US; playing Russian roulette with a hells angel in Amsterdam; introducing Shakira to Tony Blair and chatting about Bowie with Bill Clinton

  • Working with some of the biggest black music legends of all time - Teddy Pendergrass, Luther Vandross, Janet and Michael Jackson and Prince - and racism in the media  

  • Involvement with reggae, and playing football with Bob Marley

  • The influence of Punk

  • US coast to coast road trip adventures with punk star Hazel O’Connor, generating ideas to follow the hit movie Breaking Glass

  • Pioneering the worldwide stadium tour - how The Rolling Stones, and then Bowie, created a whole new industry

  • Finding a ‘family’ with the Spice Girls, and brokering the famous £1million OK deal for Posh and Becks’ wedding


Alan Edwards is the founder and CEO of public relations firm The Outside Organisation which has represented an eclectic range of clients including the biggest music stars on the planet, corporations and brands, government, royalty, celebrities, charities, events, sports legends and clubs.

Edwards’ 45 year career has seen him work with David Bowie (for nearly four decades), the Who, Victoria and David Beckham, Bon Jovi, Led Zeppelin, Amy Winehouse, Shakira, P Diddy, Britney Spears, Naomi Campbell, the Rolling Stones, Prince, Michael Jackson, Lin Manuel Miranda, Sir Paul McCartney and the Spice Girls, among many others.

Edwards was the third ever inductee to PR Week’s Hall of Fame in 2017, and as of March 2023 has been named the magazine’s number one entertainment PR for nine years running. He is a regular contributor to TV and radio, and has fronted programmes in the Music Moguls and Hits, Hype and Hustle series for the BBC.  In 2015 he staged his own show at the Victoria & Albert Museum in London, called “Always Print the Myth: PR and the Modern Age”. Among the contributors were Bob Geldof and Alastair Campbell.


At times in my career I’ve felt like a foreign correspondent, bag packed and always ready to fly off to the next conflict zone. I realised early on that I was a witness to rock and roll history – I was always writing notes on scraps of paper, airline tickets or the backs of my hands. But it was only years later, when I finally sat down to make sense of it all, that I realised I had wandered through some of the most incredible moments in the last half-century of culture.
— Alan Edwards

For further information or to request an interview or event, please contact:

EMMA FINNIGAN PR

07870 210468 | emma@emmafinniganpr.co.uk | @emmafinnigan | www.emmafinniganpr.co.uk


HIP-HOP IS HISTORY BY QUESTLOVE

WHITE RABBIT TO PUBLISH

HIP-HOP IS HISTORY, BY QUESTLOVE


Hip-HOP is History

By QuestLove

White Rabbit / HB / Audio / E-Book / 11 June 2024

Questlove’s Hip-Hop is History has been acquired by Lee Brackstone, Publisher at White Rabbit. Brackstone has acquired UK & Commonwealth rights from Farrar, Straus and Giroux.

This is a book only Questlove could have written: a perceptive and personal reflection on the first half-century of hip-hop.

When hip-hop first emerged in the 1970s, it wasn’t expected to become the cultural force it is today. But for a young Black kid growing up in a musical family in Philadelphia, it was everything. He stayed up late to hear the newest songs on the radio. He saved his money to buy vinyl as soon as it landed. He even started to try to make his own songs. That kid was Questlove, and decades later, he is a six-time Grammy Award–winning musician, an Academy Award–winning filmmaker, a New York Times bestselling author, a producer, an entrepreneur, a cofounder of one of hip-hop’s defining acts (the Roots), and the genre’s unofficial in-house historian.

In this landmark book, Hip-Hop Is History, Questlove skilfully traces the creative and cultural forces that made and shaped hip-hop, highlighting both the forgotten but influential gems and the undeniable chart-topping hits—and weaves it all together with the stories no one else knows. It is at once an intimate, sharply observed story of a cultural revolution and a sweeping, grand theory of the evolution of the great artistic movement of our time. And Questlove, of course, approaches it with not only the encyclopaedic fluency and passion of an obsessive fan but also the expertise and originality of an innovative participant.

Hip-hop is history, and also his history.


Academy Award-winning filmmaker, drummer, DJ, producer, director, culinary entrepreneur, New York Times best-selling author, and member of The Roots – Ahmir “Questlove” Thompson, is the unmistakable heartbeat of Philadelphia’s most influential hip-hop group. He is the Musical Director for The Tonight Show Starring Jimmy Fallon, where his beloved Roots crew serves as house band. Beyond that, this 6-time GRAMMY Award winning musician's indisputable reputation has landed him musical directing positions for everyone from D'Angelo to Jay-Z. Questlove made his directorial debut with the Academy Award winning feature documentary Summer of Soul. The movie broke the record for the highest-selling documentary to come out of Sundance, and it has since gone on to win “Best Feature Documentary” at the 2022 Academy Awards, “Best Documentary” at the 2022 British Academy Film Awards (BAFTA) and “Best Music Film” at the 2022 Grammy Awards, as well as a Peabody Award. In addition, Summer of Soul was crowned the “Best Movie of 2021” by The New York Times and included among the “best of the year” by The Los Angeles Times, The Chicago Tribune, Entertainment Weekly, The Washington Post, TIME Magazine, The Hollywood Reporter, Rolling Stone and more. Outside of Summer of Soul, Questlove partnered together with Black Thought of The Roots to launch a production company, Two One Five Entertainment. Together, the pair announced a first-look deal with Universal Television to develop scripted and non-scripted programming. In 2022, the company executive produced the acclaimed feature documentary Descendant about the historic discovery of The Clotilda—the last known slave ship to arrive in America illegally transporting enslaved Africans. The documentary, which made its world premiere at Sundance in 2022, was acquired by Netflix and Higher Ground—President Barack Obama and Michelle Obama’s production company. The film earned an impressive three nominations for “Best Documentary Feature,” “Best Director,” and “Best Historical Documentary” and took home the award for “Best Historical Documentary” at the 2022 Critics Choice Documentary Awards. It also received a nomination for “Outstanding Documentary” for the 2023 NAACP Image Awards and was also named one of the “Top 5 Documentaries” of 2022 by the National Board of Review. Questlove’s web series, Quest for Craft, produced by Two One Five and launched in partnership with the single malt whiskey brand, The Balvenie, took home a Webby Award in 2023. Up next, Questlove will make his feature film directing debut with a live-action hybrid reimagining of The Aristocats for Walt Disney Studios. Two One Five is set to produce the film alongside Olive Bridge. Questlove has written multiple books, including the New York Times bestsellers Mo’ Meta Blues, Creative Quest, Music is History, and The Rhythm of Time, as well as the GRAMMY nominated audio books Music Is History and Creative Quest. Expanding his literary endeavors, in 2023 he launched his own book imprint, AUWA Books, within MCD Books, a publishing division of Farrar, Straus and Giroux. The imprint will publish both nonfiction and fiction on a wide range of topics.

Ben Greenman is a New York Times bestselling author and New Yorker contributor who has written both fiction and nonfiction. His novels and short-story collections include The Slippage and Superbad. He has been Questlove's collaborator on a series of books, including Mo’ Meta BluesCreative Quest, and Music Is History, and he has written memoirs with Sly Stone, George Clinton, and Brian Wilson. His writing has appeared in numerous publications.

Publisher Lee Brackstone said: ‘If you had to choose any practitioner and writer in the world to write a personal history of hip hop, arguably the greatest art form of the late twentieth century, it would be Questlove of The Roots. Written to recognise the 50th anniversary of hip hop’s birth in the Bronx, Hip Hop is History is a landmark publication for White Rabbit, a book that will surely become the canonical work on the genre, its origins, many mutations and superstars. This book will be in print for decades, enrich your musical lexicon, remind you of artists you loved but have forgotten, and introduce you to pioneers you’d heard of but perhaps neglected. A masterpiece.’


All press enquiries should be directed to:

Emma Finnigan emma@emmafinniganpr.co.uk , Sarah Bennie sarah@sarahbennie.com or Francesca Pearce francesca.pearce@orionbooks.co.uk

The contact for Questlove’s team is Carleen Donovan carleen@theoriel.co


White Rabbit is dedicated to publishing the most innovative books and voices in music and literature and creating magic from the alchemical reaction where these two things meet. Led by Publisher, Lee Brackstone, White Rabbit publishes titles encompassing memoir, history, fiction, translation, traditional pop culture, lyrics, illustrated books and high-spec limited editions. Since launching in spring 2020, White Rabbit has published several Sunday Times Bestsellers (including the likes of Mark Lanegan’s Sing Backwards and Weep, Carl Cox’s Oh Yes! Oh Yes!, Chris Frantz’s Remain in Love, and Ten Thousand Apologies by Lias Saoudi and Adelle Stripe), and established itself as the go-to destination for books emerging from and celebrating the counter-culture. Feed Your Head!


 The Orion Publishing Group
Where every story matters.

The Orion Publishing Group is one of the UK’s leading publishers. Our mission is to bring the best publishing to the greatest variety of people. Open, agile, passionate and innovative – we believe that everyone will find something they love at Orion.

Founded in 1991, the Orion Publishing Group today publishes under nine main imprints: Gollancz, the UK’s No.1 science fiction and fantasy imprint; Laurence King Publishing, one of the world’s leading publishers of books and gifts on the creative arts; Orion Fiction, a heartland for brilliant commercial fiction; Orion Spring, home of wellbeing and health titles written by passionate celebrities and world-renowned experts; Seven Dials, for the very best commercial non-fiction, beautifully designed and produced; Trapeze for commercial fiction and non-fiction books that start conversations; Phoenix, a bespoke imprint publishing fiction and memoir that combine literary merit and commercial potential; Weidenfeld & Nicolson, one of the most prestigious and dynamic literary imprints in British and international publishing; and White Rabbit, dedicated to publishing the most innovative books and voices in music and literature.

The Orion Publishing Group is part of Hachette UK which is a leading UK trade publishing group.

Access All Areas by Barbara Charone

Memoir from the writer and music PR legend Barbara Charone, telling the story of a music-obsessed girl from Chicago who falls in love with British counter-culture, destined to re-shape it for multiple generations


Access All Areas
A Backstage Pass Through 50 Years of Music and Culture
By Barbara Charone
Foreword by Elvis Costello
White Rabbit / HB / 23 June 2022 / £20

Access All Areas: A Backstage Pass Through 50 Years of Music and
Culture tells the story of how a music-loving, budding journalist from a Chicago suburb became the defining music publicist of her generation. With an exclusive foreword from Elvis Costello, Barbara Charone’s debut memoir is a time capsule of the last fifty years, told through the lens of music, from the incredible woman who set the cultural agenda in her work with a myriad of stars including Keith Richards, Foo Fighters, REM, Rod Stewart and Madonna.

First as a journalist and then a publicist at Warner Brothers Records for nearly twenty years, Barbara Charone has experienced, first-hand, the changes in the cultural landscape. Access All Areas is a personal, insightful and humorous memoir packed with stories of being on the cultural frontline, from first writing press releases on a typewriter driven by Tip Ex, then as a press officer for heavy metal bands taking the bus up to Donnington Festival with coffee, croissants and the much more popular sulfate. To taking on Madonna, an unknown girl from Detroit, and telling Smash Hits 'you don't have to run the piece if the single doesn't chart', and becoming a true pioneer in music, Charone continues to work with the biggest names in music, including Depeche Mode, Robert Plant, Foo Fighters and Mark Ronson at her agency MBCPR.


ABOUT Barbara Charone

Born in Chicago, Barbara Charone moved to London after graduating from Northwestern University. The first half of her career was spent as a music journalist working for NMESoundsRolling StoneCrawdaddy and Cream before writing the authorised biography Keith Richards: Life As A Rolling Stone in 1979.

In November 2000, after almost 20 years at Warner Brothers, Barbara co-founded leading independent music agency MBCPR with Moira Bellas where she still works now. Within six months it became one of the country’s top music PR firms. The current client roster includes: Madonna, Mark Ronson, Foo Fighters, Elvis Costello, Keith Richards, Rod Stewart, Kasabian, Metallica, Depeche Mode, Texas, Rag’n’Bone Man, St Vincent, Pearl Jam, Olly Murs, Ray Davies  and Rufus Wainwright.

Barbara Charone is one of the most respected women working in the music business. In November 2001, Charone and her business partner, Moira Bellas, were honoured as Women of the Year by Nordoff-Robbins Music Therapy and The Brit Trust and in 2006 and 2009 won the coveted Music Week PR Award.



My Rock ’n’ Roll Friend by Tracey Thorn

An exploration of female friendship and women in music, from the iconic singer-songwriter and bestselling author of Another Planet and Bedsit Disco Queen


'Entertaining, affectionate and righteous' Guardian

'Says so much about being a woman' Cosey Fanni Tutti 

‘A gorgeous, vivid account of female friendship, what it is to be a woman in a band, activism, art, motherhood, love and having men take credit for your work’ Sinéad Gleeson 

‘It's such a radical act – as well as a loving one – for a woman to tell the story of her friend like this, and to free her (and all of us, it feels!) from the distorting prism of the male gaze. I honestly wanted to stand up and cheer!’ Melissa Harrison 

My Rock ’n’ Roll Friend is a book to treasure, brimming with empathy and good jokes.’ Andrew O’Hagan


My Rock ’n’ Roll Friend
By Tracey Thorn
Paperback / 5 May 2022 / £9.99

In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey’s music career was just beginning, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by gossip and feminism, books and gigs and rock ’n’ roll love affairs.

Morrison – a headstrong heroine blazing her way through a male-dominated industry – came to be a kind of mentor to Thorn. They shared the joy and the struggle of being women in a band, trying to outwit and face down a chauvinist music media.

In My Rock 'n' Roll Friend Thorn takes stock of thirty-seven years of friendship, teasing out the details of connection and affection between two women who seem to be either complete opposites or mirror images of each other. This important book asks what people see, who does the looking, and ultimately who writes women out of – and back into – history.


ABOUT Tracey Thorn

Tracey Thorn is a singer-songwriter and writer, best known for her 17 years in bestselling duo Everything But The Girl. She has released four solo albums, one movie soundtrack, a large handful of singles, and three books, including the Sunday Times bestsellers Another Planet and Bedsit Disco Queen. She has been a judge of the Women's Prize for Fiction and the Goldsmiths Prize and writes regularly for the New Statesman. She lives in London, with her husband Ben Watt and their three children.


@tracey_thorn | traceythorn.com


Hey Hi Hello by Annie Nightingale

‘[Annie Nightingale] is completely inspirational . . . The book is a riveting read’ DJ Magazine

‘Absolutely terrific’ David Quantick

‘A marvellous memoir’ Louder Than War

 ‘A joy to read’ Guardian


Hi Hey Hello MMP new mmp front.jpg

Hey Hi Hello
Five Decades of Pop Culture from Britain's broadcasting DJ pioneer
By Annie Nightingale
White Rabbit/ 2nd September 2021/ Paperback/ £9.99

Featuring never exclusive interviews with The Beatles, Bob Marley, David Bowie, Billie Eilish and Primal Scream among others. 

Hey Hi Hello is a greeting we have all become familiar with, as Annie Nightingale cues up another show on BBC Radio 1. Always in tune with the nation's taste, yet effortlessly one step ahead for more than five decades, in this book Annie digs deep into her crate of memories, experiences and encounters to deliver an account of a life lived on the frontiers of pop cultural innovation.

Annie Nightingale was the first female DJ on the BBC and has the longest running radio show on BBC Radio 1, celebrating her 50 years in broadcasting in 2020. As a writer, DJ and broadcaster on radio, tv and the live music scene, Annie has been an invigorating and necessarily disruptive force, working within the establishment but never playing by the rules. She walked in the door at Radio 1 as a rebel, its first female broadcaster, in 1970. Fifty years later she became the station's first CBE in the New Year's Honours List; still a vital force in British music, a DJ and tastemaker who commands the respect of artists, listeners and peers across the world.

Hey Hi Hello tells the story of those early, intimidating days at Radio 1, the Ground Zero moment of punk and the epiphanies that arrived in the late 80s with the arrival of acid house and the Second Summer of Love. It includes faithfully reproduced and never before seen encounters with Bob Marley, Marc Bolan, The Beatles and bang-up-to-date interviews with Little Simz and Billie Eilish. 

Funny, warm and candid to a fault, Annie Nightingale's memoir is driven by the righteous energy of discovery and passion for music. It is a portrait of an artist without whom the past fifty years of British culture would have looked very different indeed.


ABOUT ANNIE NIGHTINGALE

Annie Nightingale

Annie Nightingale CBE began her career as a journalist, columnist and fashion boutique owner. She was the first female DJ on BBC Radio 1 and is now the stations longest serving broadcaster, celebrating 50 years at the BBC last year.

Annie was the first female DJ from Radio 1 to be inducted into the Radio Academy Hall of Fame, and she received a special Gold Award at the Sony Radio Academy Awards. She won the Lifetime Achievement Award at the Audio Production Awards in 2020 and was awarded MBE by The Queen in 2000. She is an ambassador of The Princes’ Trust and patron of Sound Women, an organisation to promote women in broadcasting.

As well as touring the world as a live DJ, she has also released music compilation collections, including Annie On One (Heavenly) and Masterpiece (Ministry of Sound), and two volumes of autobiography, Chase the Fade and Wicked Speed.

In 2020 BBC Four devoted a night's TV to Annie, including two new documentaries about punk and post punk music. This reflected Annie's tenure as the only ever female anchor of the legendary BBC TV music series, The Old Grey Whistle Test. Annie was interviewed on Desert Island Discs in 2020.

Note:
The photography section includes photographs from Annie's personal collection. Featuring Mick Jagger, Dennis Wilson of The Beach Boys, Little Simz, Billie Eilish, and a series of recently discovered backstage pictures from the height of Beatlemania with The Fab Four.  


‘Annie was important to me back when I was a teenager, when not only was she one of the few people playing records I liked, she was a WOMAN doing it, which was inspirational to me. I wrote about her in my book Another Planet, where I quote a diary entry from 1978 which listed things I was loving in between watching Bowie on tv and taping a Bruce Springsteen album, the entry simply says, ‘Listened to Annie Nightingale’.’  - Tracey Thorn
 

‘I can’t imagine what growing up without Annie Nightingale would have been like. I don’t want to contemplate the limitations that would have been imposed on my cultural life and my own ambitions in that sphere without her presence. Thank god I don’t have to and she was there every step of the way from a voice on the radio to an enthusiastic comrade in the chill out zone and post-rave party.’ - Irvine Welsh

‘It wasn’t until I heard Annie Nightingale on Sunday evenings after the chart rundown that I understood what music radio could be. Nightingale had a broader music taste than, say, John Peel, but was alternative enough to introduce me to songs I never would otherwise have heard. She’s still on Radio 1 now, at the very Nightingale time of 1am. She still plays tracks I hate, tracks I love. She’s still the best.’
Miranda Sawyer - ‘Top 50 inspiring cultural icons’, Observer

‘Full of brilliant anecdotes, this autobiography offers a rare insight into a woman who has lived at the forefront of pop culture’ - The Sun 

‘Jam-packed with stories and events that span decades of music and culture, from the Beatles via Marc Bolan to Primal Scream and Little Simz . . . very hard to put down’ - Buzz Magazine


Hey Hi Hello by Annie Nightingale

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Hey Hi Hello
Five Decades of Pop Culture from Britain's First Female DJ
By Annie Nightingale
White Rabibit / 3 September 2020 / hardback, e-book and audio / £18.99

50 stories and encounters in the inimitable voice of Annie Nightingale, celebrating 50 years of broadcasting and presenting at the BBC.

Featuring never before seen exclusive interview with The Beatles, Billie Eilish, Bob Marley and Primal Scream among others

Hey Hi Hello is a greeting we have all become familiar with, as Annie Nightingale cues up another show on BBC Radio 1. Always in tune with the nation's taste, yet effortlessly one step ahead for more than five decades, in this book Annie digs deep into her crate of memories, experiences and encounters to deliver an account of a life lived on the frontiers of pop cultural innovation.

Annie Nightingale was the first female DJ on the BBC and the Guinness World Record holder for the longest running radio show on BBC Radio 1. As a DJ and broadcaster on radio, tv and the live music scene, Annie has been an invigorating and necessarily disruptive force, working within the establishment but never playing by the rules. She walked in the door at Radio 1 as a rebel, its first female broadcaster, in 1970. Fifty years later she became the station's first CBE in the New Year's Honours List; still a vital force in British music, a DJ and tastemaker who commands the respect of artists, listeners and peers across the world.

Hey Hi Hello tells the story of those early, intimidating days at Radio 1, the Ground Zero moment of punk and the epiphanies that arrived in the late 80s with the arrival of acid house and the Second Summer of Love. It includes faithfully reproduced and never before seen encounters with Bob Marley, Marc Bolan, The Beatles and bang-up-to-date interviews with Little Simz and Billie Eilish.

Funny, warm and candid to a fault, Annie Nightingale's memoir is driven by the righteous energy of discovery and passion for music. It is a portrait of an artist without whom the past fifty years of British culture would have looked very different indeed.


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About the author


Annie Nightingale CBE began her career as a journalist, columnist and fashion boutique owner. She was the first female DJ on BBC Radio 1 and is now the stations longest serving broadcaster, celebrating 50 years at the BBC this year.

Annie was the first female DJ from Radio 1 to be inducted into the Radio Academy Hall of Fame, and she received a special Gold Award at the Sony Radio Academy Awards. She was awarded MBE by The Queen in 2000, was made an honorary Doctor of Letters at the University of Westminster in December 2012. She is an ambassador of The Princes’ Trust and patron of Sound Women, an organisation to promote women in broadcasting.

As well as touring the world as a live DJ, she has also released music compilation collections, including Annie On One (Heavenly) and Masterpiece (Ministry of Sound), and two volumes of autobiography, Chase the Fade and Wicked Speed.

Annie’s 50th anniversary at Radio 1 in 2020 will be marked by two documentaries on BBC TV, a series of events on Radio 1.

Annie lives in West London.


Annie was important to me back when I was a teenager, when not only was she one of the few people playing records I liked, she was a WOMAN doing it, which was inspirational to me. I wrote about her in my book Another Planet, where I quote a diary entry from 1978 which listed things I was loving in between watching Bowie on tv and taping a Bruce Springsteen album, the entry simply says, ‘Listened to Annie Nightingale’.
— Tracey Thorn
I can’t imagine what growing up without Annie Nightingale would have been like. I don’t want to contemplate the limitations that would have been imposed on my cultural life and my own ambitions in that sphere without her presence. Thank god I don’t have to and she was there every step of the way from a voice on the radio to an enthusiastic comrade in the chill out zone and post-rave party.
— Irvine Welsh
It wasn’t until I heard Annie Nightingale on Sunday evenings after the chart rundown that I understood what music radio could be. Nightingale had a broader music taste than, say, John Peel, but was alternative enough to introduce me to songs I never would otherwise have heard. She’s still on Radio 1 now, at the very Nightingale time of 1am. She still plays tracks I hate, tracks I love. She’s still the best.
— Miranda Sawyer - ‘Top 50 inspiring cultural icons’, Observer

Another Planet by Tracey Thorn

A memoir about suburban childhood from Tracey Thorn, singer-songwriter and Sunday Times bestselling author of Bedsit Disco Queen

‘Another Planet is about being a teenager in suburbia in the 1970s, and revisiting one’s own youth from middle age. It touches on class, culture, music, plum jam and parenting teens. It’s wonderful. You’ll read it in one go’ - Nina Stibbe

‘I loved it. Thorn is the rarest of things: a singer whose phrasing is as good on the page as it is through a microphone’ - John Niven


Another Planet - A Teenager in Suburbia
By Tracey Thorn
7 February 2019 | Hardback £14.99 | eBook | Audio Download

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‘I’m not the only person to have grown up stifled and bored in suburbia, it’s almost the law. The diary entries, this monotonous litany of having nothing to do, are a relentless howl of frustrated energy. Brookmans Park was stultifying, frozen-in-time. In the world at large, things changed a lot during the 1960s and 70s, but in the heart of the Green Belt nothing seemed to move. Stranded in the past, it wrestled with the present, and hated the future. And there I was, stuck with it.’

In a 1970s commuter town, Tracey Thorn’s teenage life was forged from what failed to happen. Her diaries were packed with entries about not buying things, not going to the disco, the school coach not arriving. 

Before she was a bestselling musician and writer, Tracey Thorn was a typical teenager: bored and cynical, despairing of her aspirational parents. Her only comfort came from house parties, Meaningful Conversations, and the female pop icons who hinted at a new kind of living. 

Returning more than three decades later to Brookmans Park, scene of her childhood, Thorn takes us beyond the bus shelters and pub car parks, the utopian cul-de-sacs, the train to Potters Bar and the weekly discos, to the parents who wanted so much for their children, the children who wanted none of it. With her trademark wit and insight, Thorn reconsiders the greenbelt post-war dream so many artists have mocked, and so many artists have come from. 

‘I adored this. Wise, tender, beautifully observed, deadly funny. A green belt memoir classic’ - Max Porter 

‘Tracey Thorn turns the tables on her teenage boredom and chips a jewel out of doing stuff – and not doing stuff – in suburbia. A meditation on mooching and moping, escaping and finding, mums and dads, love and ageing, which is reflective, warm and deeply touching’ - Keggie Carew

'Another Planet is a poignant, rueful, tender portrait of a world so little written about, but which so many of us will recognise. I devoured it. Thorn is a brilliant writer, and a brilliantly insightful chronicler of a certain type of English experience' - Melissa Harrison

‘I devoured Another Planet. Thorn’s intimate reflections on teenage angst, motherhood, panic attacks, family and music are so moving and insightful, and written with wit and sensitivity’ - Cosey Fannie Tutti


tracey.jpg

Tracey Thorn is a singer-songwriter and writer. After forming her first band, Marine Girls, while still at school, she delivered her breakthrough debut mini solo album, A Distant Shore, in 1982. She then spent seventeen years in bestselling duo Everything But The Girl. Since 2007 she has released three further solo albums, one movie soundtrack, a clutch of singles and two books, including the Sunday Times bestselling memoir, Bedsit Disco Queen. She currently writes a column for the New Statesman and launched her new album Record in March 2018. She lives in London with her husband Ben Watt and their three children. 

@tracey_thorn | traceythorn.com


PRAISE FOR TRACEY THORN

‘The Alan Bennett of pop memoirists. I loved her book so much I wanted to form a band, too. Preferably with Thorn’ - Caitlin Moran

‘Beautifully written, dryly funny and searingly honest’ - Sunday Times

‘The Everything But The Girl frontwoman and former Marine Girl seizes our attention because she never asks for it, and in that her authorial voice is like her singing voice, soft and low, magnetic’ - Guardian

‘Warm, assertive, sweetly funny, but most of all honest’ - Daily Telegraph

‘I loved it’ - Nina Stibbe


MORE INFORMATION

For more information about this book, please don't hesitate to get in touch.